Showing posts with label Sculpture. Show all posts
Showing posts with label Sculpture. Show all posts

Friday, August 10, 2012

"Maman", a sculpture by Louise Bourgeois at The National Gallery Of Canada (Ottawa. 2012)

Araignée, a sculpture by Louise Bourgeois at The National Gallery Of Canada (Ottawa. 2012)Araignée, a sculpture by Louise Bourgeois and Van Gogh: Up Close. An Exhibition at The National Gallery Of Canada (Ottawa. 2012)Araignée, a sculpture by Louise Bourgeois at The National Gallery Of Canada (Ottawa. 2012)Araignée, a sculpture by Louise Bourgeois at The National Gallery Of Canada (Ottawa. 2012)Araignée, a sculpture by Louise Bourgeois at The National Gallery Of Canada (Ottawa. 2012)Araignée, a sculpture by Louise Bourgeois at The National Gallery Of Canada (Ottawa. 2012)
National Gallery of Canada / Musée de Beaux-Arts du Canada (Ottawa. 2012)


Louise Bourgeois made several of these sculptures during all her life and they are spread all over the world.

The first time I saw one of these monumental sculptures of spiders with its eggs was at the TATE in London in 2007, but it was the end of the day and was very dark, impossible to take any good photograph in that moment; then, in 2008, I saw another one at Ropongi Hills in Tokyo, and this time it was snowing and foggy, the photographs I took resulted totally blurred. This time in Ottawa during my visit to the National Gallery (Musée de Beaux-Arts du Canada) the day was magnificent, sunny and clear, and the sculpture was stunning from any point of view. When I was watching recalled Bourgeois's words about the piece:

"The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. My family was in the business of tapestry restoration, and my mother was in charge of the workshop. Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother." (Louise Bourgeois)

I enjoyed that "Maman" spider enormously and I hope you like the photographs...

Wednesday, October 5, 2011

Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)


Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)


I've been out for some weeks and it's because I was traveling to Portugal and South of Spain. I went to Spain, to Carmona (near Seville), for a very especial event, the 15th anniversary party of my friends Ana Corberó and Nabil Gholam. Of course I won't talk about that celebration (that's a private matter) but I will share some photos I took of Ana's giant children sculptures.

I'd seen these sculptures when I was living in Beirut (2003-2005) but never with that amazing Andalusian valley as a background and in such quantity, more than 8 sculptures.

Ana Corberó realized these children-shape sculptures after her experience living in Beirut, a city full of contrasts and frame of many Israeli invasions and bombardments, the face of the children looking at the sky, looking at the bombers, was the inspiration.

I'm sure you will enjoy the images...


Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain (2011)
Ana Corbero's Giant Children Sculptures in Carmona, Spain. (By Gustavo Thomas. 2011)
Ana Corbero at her studio in Carmona, Spain (2011)
Ana Corbero at her studio in Carmona, Spain (By Gustavo Thomas. 2011)




Texts, photographs and videos in this Blog are all author's property, except when marked. All rights reserved by Gustavo Thomas. If you have any interest in using any text, photograph or video from this Blog, for commercial use or not, please contact Gustavo Thomas at gustavothomastheatre@gmail.com.

Wednesday, October 7, 2009

Gao Brothers's Last Exhibiton and an article from The New York Times by Jimmy Wang.



During my years living in China I didn't see much of Gao Brothers's work (many pieces and photographs were prohibited) but what I saw was enough to be confident about their way to criticize China and its government, I felt really happy with their sarcasm and my mind worked while was seeing their works.

I don't want to talk much about them, the article I'm posting here, from The New York Times, is a very good introduction and show what is most of them, their work. My only comment today is about their age: they are around 52 years old and not anymore members from a young generation; they were sons from a father killed during the Cultural Revolution, and they were Tian'anmen generation heirs... They got a great artistic value, they are politically strong and congruent, but as middle age men they have lost the power to influence others in their country.

My visits to many galleries in Beijing during the last 4 years only showed to me an enormous group of young artists working for money and "craziness"... That could be a Pop Culture characteristic for USA's 50s and 60s but, in 2009 China?

What happens with the new Chinese artist who only criticize "Chinese Pop Culture" while their government is still working as a dictatorial Communist bureaucracy?

Love Gao Brother's work, their sarcasm and critics impossible to see it in any Chinese playwright for example, but that means I'm loving what is not anymore a new way to make Art in China.



New York Times article about Gao Brother's last Exbition in Beijing
(Don't forget to see the video inside the article's page)


If you are interested in using any text, image or video from this Blog, please contact the author writing your e-mail and information in comments. (comments are private)
Gustavo Thomas. Get yours at bighugelabs.com